Atomic Truth

Published in Asimov’s, April-May 2009.

Reviews:

“Everyone wears bugeye goggles to interact with the virtual world while shutting out most of the real one. Everyone but Richard, who is not “normal.” Richard sees too many things that aren’t really there for everyone else, like Electric Man and Steel Man. He doesn’t need technology to make him see even more delusions.

Emerging from the burger bar, Richard too confronted the drizzle and the electric lights: orange, white, green, red, blue. But while Jenny had taken the everyday scene for granted, for him, as ever, it posed an endless regress of troubling questions. What was rain? What were cars? What was electricity? What was this strange thing called space that existed in between one object and the next? What was air? What did those lights mean, what did they really mean as they shifted from green to amber to red and back again, over and over again?

Richard thinks that one day he may be the only person who ever sees the world as it is, and that perhaps, if no one sees it any longer, it may cease to exist. To see atomic truths, you need to have atomic eyes.

A fascinating and humane look through a pair of different eyes, with hints from Bishop Berkeley.” – Lois Tilton, The Internet Review of Science Fiction

Reprints:

(Collected in The Peacock Cloak from Newcon Press)

Karel’s Prayer

Published in Interzone, September-October 2006; 2nd place in annual Interzone reader’s poll.

(This story is collected in The Turing Test from Elastic Press)

Reviews:

“I’ll admit that Chris Beckett’s “Karel’s Prayer” was the one I was really itching to read, and so I left it till last, just like the Yorkshire puddings with my Sunday roast. Ah, sweet deferment of gratification – it was well worth the wait. The clever layering and deep themes are a hallmark of Beckett at his best – mixed in with the clash of science and religion are questions of identity, of knowing who and what one is. Dovetailing with current events in the news, there is torture and sneaky governments enacting backstage shenanigans in the name of national security. The very ambiguity of right and wrong is the pivot for the whole thing – comparative morality portrayed with all the warts and scars. It would be a shame to spoil this one for a reader, so you’ll just have to take my word for it – this is a brilliant story. At the risk of veering into hyperbole, Beckett may run the risk of becoming (thematically, at least) Britain’s Philip K. Dick – I say ‘risk’ only because that’s one hell of a benchmark to set for anyone. I hope he lives up to it – minus the descent into religious paranoia and insanity, of course.” – Paul Graham Raven, Velcro City Tourist Board

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