‘Atomic Truth’ is particularly dear to me personally, but it was literally years in the making.
The original idea came from watching the changed behaviour of people following the invention of mobile phones: the way that people who are ostensibly together in one place, are often, for all practical purposes much closer to other people who are physically remote. As a matrix in which to live, it seemed to me, physical space and the material universe were gradually declining in importance.
We’ve never been confined to literal space and time of course. We’ve always used the ideas of nearness and distance to refer to many other dimensions (‘a close likeness’, ‘we’ve grown apart’, ‘a distant cousin’, ‘Sorry, I was miles away.’) But now for the first time in history, everyone can literally see and hear things that are not physically present, even when they’re just walking down the street, or riding on a train.
‘Atomic truth’ is Richard’s name for the world in which foxes and deer still live, even if humans don’t.
I wrote the first version of this story long ago, before smartphones and iPads and all of that. But it stubbornly refused to come completely to life. The breakthrough was when I rewrote the character Richard as suffering from schizophrenia, so that, even though he didn’t wear bug eyes, he too was visited by things that were not physically present. And when I gave Jenny an autistic brother, so that she was unfazed by, and sympathetic to, people who were in some way odd, that made possible the little encounter at the end of the story that up to then had eluded me.
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All the people in my stories are quite distinct in my mind from anyone real, but some of Richard’s characteristics are based a friend of ours who died some years ago. His name was Brod Spiiers and he shared a flat with my wife and I for a year or so in Bristol. If you were a student in Bristol in the 1970s, or lived near the University, you might remember him. He used to sit on a wall outside the Wills Building on Queens Road and sort of beg, though it was done in the most dignified way.
Brod was a lot older than Richard when we knew him, but like Richard, he had his own set of mythological beings that he used to talk about and draw pictures of, inscribed with his own unique language. (I remember, for instance, ‘the Ice Cat Oojus’). And he had a rather delightful explosive laugh which would erupt at completely unexpected moments, as if his sense of humour was somehow at right-angles to everyone else’s.