“But I don’t like science fiction.”

• January 30th, 2012 • Posted in All posts, Story-telling

“I don’t like science fiction. I like my novels to be about ‘real’ people doing real things in the real world,” was the initial reaction of Emma Higginbotham in an article about Dark Eden in the Cambridge Evening News. She goes on to say,  “I decide to read the first couple of pages and skim through the rest. But to my amazement, I’m completely hooked by page two, and devour the whole thing in a few greedy sittings.”

Phew!  (And thanks, Emma!)  But it is frustrating how many people’s initial reaction is the same as hers – “I don’t like science fiction” – because, unlike her, most people don’t have a reason to test that initial reaction and so prove themselves wrong: they don’t like science fiction and that’s that.

Why is this?  The same people would, I imagine, quite happily read a book set in the past, or in a faraway country, or an imaginary country.  They’d even happily read a book set in the future (1984), or one with science fictional elements such as time travel (The Time Traveller’s Wife), cloning (Never Let Me Go), or the extinction of human kind (Children of Men), provided it was by an author known as ‘mainstream’.  So why this squeamishness about things that say ‘science fiction’ on the tin?

It wasn’t always so.  In the 60s and 70s, bookreading households would have thought nothing of having Day of the Triffids on their shelves, or maybe a few Ballards.   My father, I guess, classes as an SF fan, since he had a whole row of SF books (Pohl & Kornbluth, Heinlein, van Vogt, Ballard…), but it was my mother who recommended books to me by John Wyndham and Brian Aldiss: it just wouldn’t have struck her that they were SF and therefore beyond the pale.  Of course even then there were harder core SF books that my parents would have regarded as outside their range, but my point is there was a permeable membrane between SF and the rest of literature, not (to mix metaphors completely) a Berlin Wall.   Somewhere between now and then, SF has come to be regarded by many as the exclusive province of Comic Book Guy.

Yes, some science fiction is poorly written, some is ‘toys for the boys’, some caters for immature, and sometimes not very attractive, impulses.   But isn’t that true of romantic fiction also?   Isn’t it true of any kind of fiction at all?  I’m not saying that I think everyone should like all science fiction, only that they should be prepared to admit the possibility that they might like some of it.

All fiction works by making stuff up, partly for fun and partly to provide a new imaginative perspective on the real world.   It seems a pity to me – and not just because it means less people will buy my stuff – that a particular kind of ‘making stuff up’, should be so readily dismissed by readers and writers.  That seems to me to be throwing away a very rich resource indeed.

Non-science fiction readers who read my books, often seem to like them to their own surprise (like Emma Higginbotham, or like the judges of the Edge Hill Prize).  I would really like to persuade more to give it a go.

3 comments on ““But I don’t like science fiction.””

  1. Paul says:

    As I think I said to you when you first told me you had written a science fiction novel, “I don’t like science fiction”. As I know I have told you since, I thoroughly enjoyed both your books and am looking forward to reading Dark Eden (I did try and buy it on my recent trip to the UK but it wasn’t due in stock until after I left.

    I also don’t like cartoons but I love Family Guy and American Dad!!!!

  2. Rodger says:

    As someone who grew up reading Wyndham, Asimov, Clarke, Wells, Verne and other classics, while watching Dr Who, Star Trek and The Prisoner on TV, I’ve always been baffled by people who want to dismiss the whole genre, still more by certain authors who write SF novels and then claim it’s not really SF because they don’t have robots, deathrays or little green men …

    The best SF has always been about “real people” and if not the real world, then a recognisable extrapolation of this one. For example HG Wells’ depiction of ruined cities, massively destructive weapons and millions of displaced refugees in War of the Worlds was a vision of horror in Victorian times, but can now be read as a prescient description of 20th century warfare.

    I thoroughly enjoyed Dark Eden, reminded me a little of Ridley Walker and Lord of the Flies but with a wholly unique vision. I was also very pleased to pick up Marcher in the splendid bookshop Eleftheroudakis in Athens a couple of years ago.

  3. Chris says:

    Thanks Rodger. I’m very pleased it worked for you. (It’s nice to know that my books have found their way to Athens, too).

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