Brian Wilson

I referred to the work of Philip Dick previously as something that I particularly admire.   Here is another tortured Californian who I also admire.   I’ve seen him perform a couple of times in recent years, on his Pet Sounds and Smile tours of the UK.  The beautiful clear voice of his youth has gone, and, of all rock stars, this frail-looking man is surely the most uneasy and vulnerable on the stage, to the point where the audience seemed to me to be not just applauding him, but reassuring him of its love so as to help him keep going.  But his music as ever is sublime, soaring, stately, and, despite his abusive childhood and his precarious mental health, peaceful and full of hope and love.

He’s recently reunited with the surviving Beach Boys (his brothers, Carl and Dennis, are of course dead), and recorded a new album.   The single ‘That’s why God made the Radio’ doesn’t exactly push out into new musical territory, but still has all the qualities that makes Wilson’s music such a sweet balm.  Many tortured souls make tortured art, but with Wilson, it is as as if he set himself to build in music, the peace that was missing from his life.

Batter my heart

Random cultural treat!

I’m not by any means a connoisseur either of poetry or opera, but I first came across this exquisitely beautiful sonnet by John Donne in the setting of it by John Adams in the opera Dr Atomic, and loved both the setting and the poem.  There’s a clip of that setting here, sung by Gerald Finley.  The sonnet itself is as follows:

Batter my heart, three-person’d God, for you

As yet but knock, breathe, shine, and seek to mend;

That I may rise and stand, o’erthrow me, and bend

Your force to break, blow, burn, and make me new.

I, like an usurp’d town to’another due,

Labor to’admit you, but oh, to no end;

Reason, your viceroy in me, me should defend,

But is captiv’d, and proves weak or untrue.

Yet dearly’I love you, and would be lov’d fain,

But am betroth’d unto your enemy;

Divorce me,’untie or break that knot again,

Take me to you, imprison me, for I,

Except you’enthrall me, never shall be free,

Nor ever chaste, except you ravish me.

I do not share Donne’s faith, but I love, and find myself really deeply moved by, this vision of a human soul as a usurped town, begging to be broken into and liberated because it no longer has the strength or will to liberate itself.   Instead of a captured city, we might think of a computer riddled with viruses, or a mind so dominated by destructive addictions that it can no longer achieve the level of sustained self-awareness that would be necessary for it to be able to break free.

It seems to me that the vision of an invaded and subverted soul expressed by this poem, shares a great deal with the vision of Philip Dick, for example in The Three Stigmata of Palmer Eldritch, or The Man in the High Castle.  Dick was certainly interested in the ‘metaphysical poets’, of whom Donne was one.  And of course he was, if anyone ever was, a master of metaphysical SF.

PS Lovely as the poem is, I can’t entirely suppress from my mind the thought that ‘Batter my heart’ might also be the title of a ballad sung by a lovesick Glaswegian to the girl in his local chipshop.

The Holy Machine: the song

The Holy Machine is now also a song!

The Holy Machine – Southern Tenant Folk Union

(Song by P.McGarvey, published by Santa Mira Music/admin. Bug Music Ltd Copyright 2011: Johnny Rock Records.)

The Edinburgh-based group Southern Tenant Folk Union have included this as the final track on their forthcoming album ‘Pencaitland’, due out in June 2011 (see cover image below).   The whole album is well worth hearing.   I particularly liked the setting of the W.B.Yeats poem ‘An Irish Airman Foresees his Death’.

Album cover image